7 Gestalt Principles: A Designer’s Guide to Visual Psychology | Tirso Gamboa

7 Gestalt Principles: A Designer’s Guide to Visual Psychology | Tirso Gamboa

Why do some designs feel “right” while others feel like a mess? It’s usually because the structure wasn’t designed properly, which comes down to psychology. In this guide, we’re breaking down the Gestalt Principles, the psychological rules of how our brains perceive order in a chaotic world.

While Design Principles are based on aesthetics and theory, Gestalt Principles are rooted in human perception. If the world is already organized for us, why should we as designers organize information any differently?

The 7 Gestalt Principles: The World Around Us

1. Symmetry: Creating Visual Balance and Stability

We love symmetrical things because they feel balanced. We see this in nature and iconic architecture like the Pantheon. In design, symmetry creates a sense of harmony and “groundedness.”

Example of the Gestalt principle of Symmetry shown through the architectural facade of the Pantheon. Photo by Tirso Gamboa
Symmetry in design illustrated by a balanced architectural ceiling dome.
2. Similarity: How to Group Related Elements

We naturally connect things that look alike. This happens through:

Color: Like the produce section of a grocery store (until you get to parsley and cilantro, a reminder that if elements are too similar, you can confuse people!).

Gestalt principle of Similarity demonstrated by organized color rows in a grocery store produce section.

Shape: Things like traffic lights, which are universally circles. Beer bottles are also similar in shape.

Comparison of traffic lights and beer bottles to show Similarity through shape and color.

Size: Think of modular grids, calendars, or the apps on your phone. 

Similarity in UI design: How calendar apps and icons use consistent sizing to group elements.
3. Proximity: Using Space to Organize Information

When things are closer together, we naturally assume they are related.

The Restaurant Test: At a restaurant, you know who is eating together because they are physically closer to each other than to the next table. In UI design, proximity tells the user which label belongs to which input field.

Gestalt principle of Similarity demonstrated by organized color rows in a grocery store produce section.
4. Common Region: Defining Boundaries in Layouts

Often used with proximity, this is about grouping elements within a visible boundary.

Examples: Countries separated by borders, passengers on a train are going in the same direction, or families grouped within the “region” of a house. In web design, this is often achieved through cards or background containers.

Common Region examples featuring shared borders on maps and apartment building structures.
5. Continuation: Guiding the Viewer’s Eye

Continuation guides our eyes along a line or path, which helps create flow in your designs. The easiest and most literal example are lines or queues. You just follow the path of everyone else. On subway maps, you follow the path of the lines to see which direction you’re going in or which steps are on the way.

Continuation principle illustrated by a Wimbledon queue line and the London Underground subway map.
6. Closure: Filling in the Gaps with Perception

Our brains tend to fill in the gaps to complete a whole image. I feel like this one is used situationally, but it is a core principle.

The dashed lines on a road still read as a continuous path. Tesla uses this in advertising by selling a “sustainable future” rather than just a car; the audience “closes the gap” between the values and the product. Additionally, we understand the meaning of hand gestures without explicit direction.

Examples of Closure including dashed road lines and a hand gesture leading you where to go.
7. Figure-Ground: Managing Depth and Focus

This is the relationship between the foreground (figure) and background (ground). You can usually only focus on one at a time. This principle helps create a sense of depth.

In The Rubin Vase illusion, do you see the vase or the two faces?

When there is sign on a storefront window, you can only focus on either the sign (the figure) or inside the store (the ground).

Figure-Ground relationship shown with a storefront window sign.
Final Thoughts: Designing with Intent

At its core, design psychology isn’t about following rigid rules. It’s about understanding how the human brain naturally organizes chaos. By mastering these 7 Gestalt Principles, you can stop guessing and start making intentional layout decisions that lead the viewer’s eye exactly where you want it to go.

Want to see these principles in action?

If you’re more of a visual learner, I’ve broken these concepts down even further in the video at the top of this post. I regularly share deep dives into visual psychology and design execution over on my YouTube channel!

I’d love to hear from you: Which of these principles do you find yourself using most often in your own work? Drop a comment below or tag me in your latest project. I’d love to see how you’re applying these to your designs!

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